From greetings to shows of love, signing papers (seal by having a kiss) and wedding pronouncements, New Year’s festivities and religious traditions, kissing has been element of numerous countries for the longest time. And few illustrated the necessity of this affectionate work better as compared to Russians in their kissing rituals.
The Terrible, women used to be kept indoors, sheltered from interactions with strangers at the time of Ivan. The only exceptions permitted had been with buddies and respected visitors throughout a kissing ceremony. This rite often designed that the host’s partner would sip wine from a goblet, bow, and then pass it to the visitor. The latter was invited to kiss the wife on the lips, which was considered to be a great honor on special occasions.
Konstantin Makovsky – The Kissing Ceremony (1895), oil on canvas | zoom in here
You can view exactly exactly just how this kind of intimate setup would have already been fertile ground for jealousies and infatuations. It’s no real surprise then this 1 of the most extremely suspenseful scenes in Alexei Tolstoy’s 1862 novel Prince Serebrenni revolves for this hospitality tradition, which in turn inspired Russian musician Konstantin Makovsky in masterfully depicting The Kissing Ceremony (during the Feast of Boyar Morozov). Boyars had been high standing people in the aristocracy, near the tsar. Based on the plot, the character that is main Romanchov (Prince Serebrenni) and Elena Morozova, the partner of boyar Morozov, was previously infatuated with one another. . . .